Apple’s “F1 The Movie” Scores at Box Office, A Big Win for Tim Cook and Eddy Cue, Apple’s Controversial Apple Pay Promotion
Happy Monday. It feels good to be back after some time off. Fortunately, it looks like the news flow was on the light side last week. We will use the down time to follow-up on several topics in addition to focusing on a few new topics.
Let’s jump right in.
Apple’s “F1 The Movie” Scores at Box Office
Here’s Variety:
“It’s lights out and away we go at the box office as ‘F1,’ a big-budget racing drama starring Brad Pitt, impressively revs to $55.6 million in its domestic opening weekend.
With great reviews and a promising ‘A’ grade on CinemaScore exit polls, ‘F1’ landed in the middle of expectations of $50 million to $60 million. At the international box office, the film collected a strong $88.4 million from 78 markets. Those initial ticket sales are significant given ‘F1’ is an adult-skewing tentpole that’s not part of an existing film franchise — a rarity in today’s I.P.-dominated movie theater landscape…
‘F1’ also marks the first commercial hit for Apple, the tech giant that financed the nearly $250 million-budgeted movie. (Apple put the production budget at $200 million but others have reported the number is closer to $300 million). That’s not including the many millions on promotional efforts, including a globe-spanning press tour. And since Apple doesn’t have a distribution arm, the company is paying a fee to Warner Bros. to put the film in theaters. WB will also receive a percentage of theatrical revenues that increases with certain box office benchmarks.”
While we still need to see how “F1 The Movie” performs over the next few weeks, including the all-important long Fourth of July weekend, there is no question that the film will become Apple’s highest-grossing movie, surpassing “Napoleon” which grabbed $221M.
It’s rational to conclude Apple’s unprecedented marketing push contributed to the film’s opening weekend success. Apple leveraged nearly every one of its content distribution services to let users know about the film in some way (as Apple should do). Hollywood is envious of Apple today as anyone behind a potential blockbuster film craves Apple’s ability to use its ecosystem to promote a film. There is a larger discussion to be had when it comes to Apple using its products and services to inform users of other Apple products, services, and content. We will tackle that topic tomorrow.
While extensive marketing certainly helps a film’s prospects at theaters, box office success has become far more complicated.
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